06 July – 01 Sept
A Body is A Building
For Bloc Projects Billboard Commission Glass’s work establishes a relationship with the billboard and the Prime Mover gym that it is attached to. The image focuses on the separation between the architectural and the bodily whilst exploring the aesthetics of desire. A Body is A Building, looks to be both seductive and descriptive of the gym as a cultural space, foregrounding its democratic currency, sweat.
A Body is a Building, references a 1996 essay, When is a body not a body? When it’s a building, by Marcia Ian, that describes the experience of being a female body within a male-dominated gym. The essay discusses both the emotional and architectural hostility to the female body, which appears to exist as a foreign entity. Though contemporary culture’s relationship to the gym has changed dramatically since its origin in ancient Greece as a social space for the male population, the space holds onto a feeling of exclusivity somehow. Gyms advertise on the principles of ambition, strength, health and self-image, ideas which can appeal to everyone, but these exist under the flawed notion that being better means appearing as one particular thing. The gym like any other space within society, it should seek to welcome every type of body.
More information can be found via the artist’s website
We would like to thank Primemover for their support
The Newbridge Project, Gateshead
One of a series of exhibitions under the collective title of Life in a Northern Town which forms part of The Great Exhibition of the North.
21 July – 21 Aug
Launch Friday 20 July, 6 – 8pm
For a new collaborative work, artists Michaela Cullen and Declan Colquitt explore ideas of recollection and the slippage of time through themes of Irish pilgrimage and Northern dance music. The artists will create a new installation ranging across different media including sculpture, sound and film.
In an attempt to define place and identity, both artists have moved backwards in time, locking into the inert temporalities of childhood, the suspended time of mythology and the acceleration of the recent past. These movements encompass remarks on delirium, displacement and lost futures.
A new film work will be presented by Michaela Cullen. Described by the artist as ‘sardonic sitcom pilgrimage’ this disorientating psychotropic story tries to understand friendship, upbringing and geographical landing. The three entities of the ‘Morrígna’, Badb, Macha and Nemain go on a detrimental journey of self-actualisation by way of self-accusation. The characters argue and meander in handmade costumes and are distinguished by their distorted cartoonish faces. The film is set in Hy-Brasil, a phantom island said to lie in the Atlantic Ocean west of Ireland. Irish myths described it as cloaked in mist except for one day every seven years, when it became visible but still could not be reached.
Built on site, purpose-built bleachers will loom and sulk in the space. Catholicism and organised religion are an ever present line of research in Michaela Cullen’s work, and seating is considered further in this new work. In spaces where we are manipulated to be seated, seating is created.
Working closely with Cullen, Declan Colquitt’s soundtrack is a visceral navigation of 00’s Northern dance culture. Through the use of early camera phones that were popular at the time, and were also instrumental in the dissemination of the music via infrared and bluetooth technologies, the artist creates a lo-fi digital soundscape which pulls in and out of Cullen’s narrative.
These camera phones also remain the predominant visual tool throughout the rest of Colquitt’s work, realised in unconventionally printed photographs, collages and film stills that exploit the limitations of the medium, and magnify the ambiguity or camoflauge of pixelation. These works will address the dark-vitality, nihilism and social atomisation Colquitt see’s as inextricably wrapped up in the dance music of the time.
As part of the exhibition, the artists will release a two part publication which will be available in the gallery and Newbridge Books following the exhibition. Although created separately, they will attempt to theoretically bridge gaps between works in the show through research, archiving and documentation.
This project is curated by Bloc Projects, Sheffield and Caustic Coastal, Manchester.
This project forms part of The Great Exhibition of the North. For more information and a full programme of events please visit their website here.
Selected by Kim McAleese
21 July – 04 August
Launch event: Friday 20th July, 6 – 8
Free and open to all
We are delighted to be presenting the work from a selection of artists from across the UK who are currently benefitting from being part of the Bloc Projects Members Scheme. This annual group exhibition is a fantastic chance to see artists testing the boundaries of sculpture, painting, video, installation, and a range of other mediums and techniques, and forms a key part of our yearly curated programme.
This year the participating artists have been selected by guest curator Kim McAleese. Over the past decade Kim has worked on a wide range of projects across the UK and is currently the Programme Director at Grand Union, Birmingham. Kim has been invited to make the selection due to her pioneering approach to curatorial practice and her eye for emerging talent.
For more information on how to become a member click here